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+<!--#include virtual="/server/header.html" -->
+<!-- Parent-Version: 1.77 -->
+<title>Freedom&mdash;or Copyright? (Old Version)
+- GNU Project - Free Software Foundation</title>
+<!--#include virtual="/philosophy/po/freedom-or-copyright-old.translist" -->
+<!--#include virtual="/server/banner.html" -->
+
+<h2>Freedom&mdash;or Copyright? (Old Version)</h2>
+
+<div class="announcement">
+<blockquote><p>There is an <a
+href="/philosophy/freedom-or-copyright.html"> updated version</a> of
+this article.</p></blockquote>
+</div>
+
+<p>
+ by <strong>Richard M. Stallman</strong>
+</p>
+
+<blockquote>
+<p>
+The brave new world of e-books: no more used book stores, no more
+lending a book to your friend, no more borrowing one from the public
+library, no purchasing a book except with a credit card that
+identifies what you read. Even reading an e-book without
+authorization is a crime.
+</p>
+</blockquote>
+
+<p>
+Once upon a time, in the age of the printing press, an industrial
+regulation was established for the business of writing and
+publishing. It was called copyright. Copyright's purpose was to
+encourage the publication of a diversity of written
+works. Copyright's method was to make publishers get permission
+from authors to reprint recent writings.</p>
+
+<p>
+Ordinary readers had little reason to disapprove, since copyright
+restricted only publication, not the things a reader could do. If it
+raised the price of a book a small amount, that was only
+money. Copyright provided a public benefit, as intended, with little
+burden on the public. It did its job well&mdash;back then.</p>
+
+<p>
+Then a new way of distributing information came about: computers and
+networks. The advantage of digital information technology is that it
+facilitates copying and manipulating information, including software,
+musical recordings and books. Networks offered the possibility of
+unlimited access to all sorts of data&mdash;an information utopia.</p>
+
+<p>
+But one obstacle stood in the way: copyright. Readers who made use of
+their computers to share published information were technically
+copyright infringers. The world had changed, and what was once an
+industrial regulation on publishers had become a restriction on the
+public it was meant to serve.</p>
+
+<p>
+In a democracy, a law that prohibits a popular, natural and useful
+activity is usually soon relaxed. But the powerful publishers'
+lobby was determined to prevent the public from taking advantage of
+the power of their computers, and found copyright a suitable
+weapon. Under their influence, rather than relaxing copyright to suit
+the new circumstances, governments made it stricter than ever,
+imposing harsh penalties on readers caught sharing.</p>
+
+<p>
+But that wasn't the last of it. Computers can be powerful tools of
+domination when a few people control what other people's computers
+do. The publishers realized that by forcing people to use specially
+designated software to watch videos and read e-books, they can gain
+unprecedented power: they can compel readers to pay, and identify
+themselves, every time they read a book!</p>
+
+<p>
+That is the publishers' dream, and they prevailed upon the
+U.S. government to enact the Digital Millennium Copyright Act of
+1998. This law gives them total legal power over almost anything a
+reader might do with an e-book, as long as they publish the book in
+encrypted form. Even reading the book without authorization is a
+crime.</p>
+
+<p>
+We still have the same old freedoms in using paper books. But if
+e-books replace printed books, that exception will do little
+good. With &ldquo;electronic ink&rdquo;, which makes it possible to
+download new text onto an apparently printed piece of paper, even
+newspapers could become ephemeral. Imagine: no more used book stores;
+no more lending a book to your friend; no more borrowing one from the
+public library&mdash;no more &ldquo;leaks&rdquo; that might give someone a
+chance to read without paying. (And judging from the ads for Microsoft
+Reader, no more anonymous purchasing of books either.) This is the
+world publishers have in mind for us.</p>
+
+<p>
+Why is there so little public debate about these momentous changes?
+Most citizens have not yet had occasion to come to grips with the
+political issues raised by this futuristic technology. Besides, the
+public has been taught that copyright exists to &ldquo;protect&rdquo;
+the copyright holders, with the implication that the public's
+interests do not count. (The biased term
+&ldquo;<a href="/philosophy/not-ipr.html"> intellectual
+property</a>&rdquo; also promotes that view; in addition, it
+encourages the mistake of trying to treat several laws that are almost
+totally different&mdash;such as copyright law and patent law&mdash;as
+if they were a single issue.)</p>
+
+<p>
+But when the public at large begins to use e-books, and discovers the
+regime that the publishers have prepared for them, they will begin to
+resist. Humanity will not accept this yoke forever.</p>
+
+<p>
+The publishers would have us believe that suppressive copyright is the
+only way to keep art alive, but we do not need a War on Copying to
+encourage a diversity of published works; as the Grateful Dead showed,
+private copying among fans is not necessarily a problem for
+artists. (In 2007, Radiohead made millions by inviting fans to copy an
+album and pay whatever amount they wish; a few years before, Stephen King
+got hundreds of thousands for an e-book which people could copy.) By
+legalizing the copying of e-books among friends, we can turn copyright
+back into the industrial regulation it once was.</p>
+
+<p>
+For some kinds of writing, we should go even further. For scholarly
+papers and monographs, everyone should be encouraged to republish them
+verbatim online; this helps protect the scholarly record while making
+it more accessible. For textbooks and most reference works,
+publication of modified versions should be allowed as well, since that
+encourages improvement.</p>
+
+<p>
+Eventually, when computer networks provide an easy way to send someone
+a small amount of money, the whole rationale for restricting verbatim
+copying will go away. If you like a book, and a box pops up on your
+computer saying &ldquo;Click here to give the author one
+dollar&rdquo;, wouldn't you click? Copyright for books and music, as
+it applies to distributing verbatim unmodified copies, will be
+entirely obsolete. And not a moment too soon!</p>
+</div><!-- for id="content", starts in the include above -->
+<!--#include virtual="/server/footer.html" -->
+<div id="footer">
+<div class="unprintable">
+
+<p>Please send general FSF &amp; GNU inquiries to <a
+href="mailto:gnu@gnu.org">&lt;gnu@gnu.org&gt;</a>. There are also <a
+href="/contact/">other ways to contact</a> the FSF. Broken links and other
+corrections or suggestions can be sent to <a
+href="mailto:webmasters@gnu.org">&lt;webmasters@gnu.org&gt;</a>.</p>
+
+<p><!-- TRANSLATORS: Ignore the original text in this paragraph,
+ replace it with the translation of these two:
+
+ We work hard and do our best to provide accurate, good quality
+ translations. However, we are not exempt from imperfection.
+ Please send your comments and general suggestions in this regard
+ to <a href="mailto:web-translators@gnu.org">
+ &lt;web-translators@gnu.org&gt;</a>.</p>
+
+ <p>For information on coordinating and submitting translations of
+ our web pages, see <a
+ href="/server/standards/README.translations.html">Translations
+ README</a>. -->
+Please see the <a
+href="/server/standards/README.translations.html">Translations README</a> for
+information on coordinating and submitting translations of this article.</p>
+</div>
+
+<p>Copyright &copy; 1999, 2008 Richard M. Stallman</p>
+
+<p>This page is licensed under a <a rel="license"
+href="http://creativecommons.org/licenses/by-nd/3.0/us/">Creative
+Commons Attribution-NoDerivs 3.0 United States License</a>.</p>
+
+<!--#include virtual="/server/bottom-notes.html" -->
+
+<p class="unprintable">Updated:
+<!-- timestamp start -->
+$Date: 2014/04/12 12:40:05 $
+<!-- timestamp end -->
+</p>
+</div>
+</div>
+</body>
+</html>